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Silence Across Screens: A Dual-Method Analysis of Gendered Emotional Labor in The Farewell
Cheney Zhang ‘29 — This article examines how The Farewell (2019), directed by Lulu Wang, constructs and circulates gendered emotional labor within a transnational Chinese family. While the film is…
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Cripping Literature through Reparative Reading: Gender, Disability, and the Case for Symbiosis
Alexis Bentz ‘24 — How can literature simultaneously reinforce harmful ideas about disability and offer opportunities to challenge them? This paper examines the intersections of disability and gender in Charlotte…
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Outside the Scope: Tracing the Impacts of Intersectionality’s Shift from the Academic to the Public
Siobhan Davenport ‘25 — How did intersectionality move from an academic framework into mainstream public conversation? This paper traces the evolution of intersectionality from Black feminist legal scholarship into digital…
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Ghosts, Gays, and Guillotines: Giovanni’s Room as a Baldwinian Gothic
Jordan Spector ‘25 — What makes Giovanni’s Room feel so distinctly Gothic? This paper examines James Baldwin’s novel alongside the Victorian Gothic tradition, exploring ghosts, monsters, haunting, and bodily possession…
