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Silence Across Screens: A Dual-Method Analysis of Gendered Emotional Labor in The Farewell
Cheney Zhang ‘29 — This article examines how The Farewell (2019), directed by Lulu Wang, constructs and circulates gendered emotional labor within a transnational Chinese family. While the film is…
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Emma Wang: Contemporary Revelations and Hippie Modernisms
Helen Ives ‘26 — This paper examines the work of WashU Sam Fox senior Emma Wang. Specifically, it contextualizes Wang’s practice within the history of hippie modernism, a 1960s art…
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From Community to Self-Ownership: Black Power, Gangsta Rap, and the Rise of Neoliberalism
Shawn Syed ’28 — How should we think of the relationship between Black Power and Gangsta rap? Scholars have long debated the relations between the two, largely dividing into two…
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Icelandic Identity and Landscape: The Effect of Modernization and Climate Change on Icelandic Folklore and Supernatural Beliefs
Jane Leavitt ’27 — This paper focuses on the vast mythological landscape of Icelandic folklore and Sagas, with a specific focus on trolls, Elves, and civil war Sagas. It highlights…
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From Barrie to Branding: The Rewriting of Tinker Bell in the Disney Fairies Franchise
Sophia Garthe ’27 — Few characters are as synonymous with The Walt Disney Company as Mickey Mouse; however, Tinker Bell comes strategically close. Introduced in 1904 through J. M. Barrie’s…
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“Straight Outta Compton” and Continuity: An Interview with Shawn Syed
Julia Claire Johnson ’28 — How should we think of the relationship between Black Power and Gangsta rap? Scholars have long debated the relationship between the two, with some emphasizing…
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Cripping Literature through Reparative Reading: Gender, Disability, and the Case for Symbiosis
Alexis Bentz ‘24 — How can literature simultaneously reinforce harmful ideas about disability and offer opportunities to challenge them? This paper examines the intersections of disability and gender in Charlotte…
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Outside the Scope: Tracing the Impacts of Intersectionality’s Shift from the Academic to the Public
Siobhan Davenport ‘25 — How did intersectionality move from an academic framework into mainstream public conversation? This paper traces the evolution of intersectionality from Black feminist legal scholarship into digital…
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Ghosts, Gays, and Guillotines: Giovanni’s Room as a Baldwinian Gothic
Jordan Spector ‘25 — What makes Giovanni’s Room feel so distinctly Gothic? This paper examines James Baldwin’s novel alongside the Victorian Gothic tradition, exploring ghosts, monsters, haunting, and bodily possession…
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