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Silence Across Screens: A Dual-Method Analysis of Gendered Emotional Labor in The Farewell
Cheney Zhang ‘29 — This article examines how The Farewell (2019), directed by Lulu Wang, constructs and circulates gendered emotional labor within a transnational Chinese family. While the film is…
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From Barrie to Branding: The Rewriting of Tinker Bell in the Disney Fairies Franchise
Sophia Garthe ’27 — Few characters are as synonymous with The Walt Disney Company as Mickey Mouse; however, Tinker Bell comes strategically close. Introduced in 1904 through J. M. Barrie’s…
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